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Saturday, July 11, 2020 | History

6 edition of Music and Discourse found in the catalog.

Music and Discourse

Jean-Jacques Nattiez

Music and Discourse

Toward a Semiology of Music/Translated from French

by Jean-Jacques Nattiez

  • 257 Want to read
  • 10 Currently reading

Published by Princeton Univ Pr .
Written in English

    Subjects:
  • Appreciation,
  • Semiotics,
  • Philosophy And Esthetics Of Music,
  • Psychology Of Music,
  • Music/Songbooks,
  • Music,
  • Theory of music & musicology,
  • Musical analysis,
  • Musicology

  • The Physical Object
    FormatHardcover
    Number of Pages272
    ID Numbers
    Open LibraryOL7758156M
    ISBN 100691091366
    ISBN 109780691091365

    COVID Resources. Reliable information about the coronavirus (COVID) is available from the World Health Organization (current situation, international travel).Numerous and frequently-updated resource results are available from this ’s WebJunction has pulled together information and resources to assist library staff as they consider how to handle coronavirus.   What is the purpose of philosophy? Why should one learn philosophy? Certainly, by studying philosophy one can improve his or her intelligence but .

    Discourse about music can also be unrelated to the actual structure of musical discourse. It may be an exercise in symbolism, religion, politics, sociology, or whatever. Even the process of musical criticism, of discussing music in words after performing or listening to it, may be a. In this way, the book engages directly with a number of under-researched areas: the impact of gender on the everyday life of performing musicians; gendered attitudes in music journalism, promotion and production; the responses and strategies developed by female performers; the feminist network riot grrrl and the succession of international.

    Get this from a library! Music and discourse: toward a semiology of music. [Jean Jacques Nattiez] -- In this book Jean-Jacques Nattiez, well-known for his pioneering work in musical semiology, examines both music, and discourse about music, as products of human activity that are perceived in varying. The critical analysis of musical discourse Article in Critical Discourse Studies 9(4) November with Reads How we measure 'reads'.


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Music and Discourse by Jean-Jacques Nattiez Download PDF EPUB FB2

In this book Jean-Jacques Nattiez, well-known for his pioneering work in musical semiology, examines both music and discourse about music as products of human activity that are perceived in varying ways by various cultures.

Asking such questions as "what is a musical work" and "what constitutes music", Nattiez draws from philosophy Cited by: In this book Jean-Jacques Nattiez, well-known for his pioneering work in musical semiology, examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures.

Asking such questions as "what is a musical work" and "what constitutes music," Nattiez draws from philosophy, anthropology, music analysis, and history to propose a 5/5(4). "Kofi Agawu is widely known as one of the pioneers of musical semiotics.

Now, in Music as Discourse, he offers a focused study that shows semiotics in action, engaging with a familiar and cherished repertory in a way that provides valuable insights to both scholar and student."--Patrick McCreless, Professor of Music Theory, Yale University "At a moment when referential and structural Cited by:   Music as Discourse book.

Read reviews from world’s largest community for readers. The question of whether music has meaning has been the subject of susta /5. The question of whether music has meaning has been the subject of sustained debate ever since music became a subject of academic inquiry.

Is music a language. Does it communicate specific ideas and emotions. What does music mean, and how does this meaning occur. Kofi Agawu's Music as Discourse has become a standard and definitive work in musical semiotics. In this book Jean-Jacques Nattiez, well-known for his pioneering work in musical semiology, examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures/5(24).

In this book Jean-Jacques Nattiez, well-known for his pioneering work in musical semiology, examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures.

Asking such questions as "what is a musical work" and "what constitutes music," Nattiez draws from philosophy /5(24). In this book Jean-Jacques Nattiez, well-known for his pioneering work in musical semiology, examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures.

Asking such questions as “what is a musical work” and “what constitutes music,” Nattiez draws from philosophy. In this book Jean-Jacques Nattiez, well-known for his pioneering work in musical semiology, examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures.

Asking such questions as "what is a musical work" and "what constitutes music," Nattiez draws from philosophy Brand: Princeton University Press. The concept of the role of music as discourse originally stemmed from the realization that music stimulates the organs in the ear, and in this regard, fits the definition of discourse or language because it conveys information to a discerning listener.

Music’s ability to enhance emotional states like serenity, regret, or exuberance has led some researchers to title musical discourse as the.

‘Discourse analysis considers how language, both spoken and written, enacts social and cultural perspectives and identities. Assuming no prior knowledge of linguistics, An Introduction to Discourse Analysis examines the field and presents James Paul Gee’s unique integrated approach which incorporates both a theory of language-in-use and a method of research.’.

Working at the nexus of musicology, ethnomusicology, and music philosophy and aesthetics, the book presents a synthetic and innovative approach to musical meaning which argues deftly for the thinking of music as a discourse in itself—composed not only of sequences of gestures, phrases, or progressions, but rather also of the very Author: Kofi Agawu.

The book provides extensive demonstration of the pertinence of a semiological approach to understanding the fully-freighted language of romantic music, stresses the importance of a generative approach to tonal understanding, and provides further insight into the analogy between music and language.

Music as Discourse is an essential read for all. Music And - Free download Ebook, Handbook, Textbook, User Guide PDF files on the internet quickly and easily. In this book Jean-Jacques Nattiez, well-known for his pioneering work in musical semiology, examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures.

The text allows the reader to consider Swanwick’s approach to music education and how it is characterised by a concern for musical, and to some extent wider artistic, processes, shaped by his experience as a teacher and performing musician in a variety of settings, and also by the influences of philosophers, psychologists and by: 2.

either ‘musical discourse’ (Tagg ) or ‘music discourse’ (Moore ), ‘song discourse’ (Murphey ), ‘discourse of music’ or ‘discourse about music’ (Blacking ). However, it is commonly accepted that musical discourse cannot be reduced to the music itself (Roy 15).Cited by: A Developing Discourse in Music Education book.

The selected works of Keith Swanwick. A Developing Discourse in Music Education. DOI link for A Developing Discourse in Music Education. A Developing Discourse in Music Education book. The selected works of Keith Swanwick.

By Keith Swanwick. “Music As Multimodal Discourse takes the reader through a fascinating journey in the multimodal dimension of music as discourse, through its material and ideological purport and through its incredible power of integration with other models of discourse.

It is a reading that addresses academic boundaries that have no more reason to exist.”. In this book Jean-Jacques Nattiez, well-known for his pioneering work in musical semiology, examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures.

Asking such questions as "what is a musical work" and "what constitutes music," Nattiez draws from philosophy /5(24).

The book provides extensive demonstration of the pertinence of a semiological approach to understanding the fully-freighted language of romantic music, stresses the importance of a generative approach to tonal understanding, and provides further insight into the analogy between music and as Discoursewill be eagerly read by all.Music-Dance explores the identity of choreomusical work, its complex authorship and its modes of reception as well as the cognitive processes involved in the reception of dance rs of dance and music analyse the ways in which a musical score changes its prescriptive status when it becomes part of a choreographic project, the encounter between sound and motion on stage, and the.

Part of life is dealing with negativity. Responding to hate is part of the human experience. Accepting this fact, what then becomes important is focusing on the response.

What is the best way to.