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Friday, July 24, 2020 | History

3 edition of The transatlantic gothic novel and the law, 1790-1860 found in the catalog.

The transatlantic gothic novel and the law, 1790-1860

Bridget M. Marshall

The transatlantic gothic novel and the law, 1790-1860

by Bridget M. Marshall

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  • 2 Currently reading

Published by Ashgate in Farnham, Surrey, England, Burlington, VT .
Written in English


Edition Notes

Includes bibliographical references and index.

Statementby Bridget M. Marshall
Classifications
LC ClassificationsPR830.T3 M37 2010
The Physical Object
Paginationp. cm.
ID Numbers
Open LibraryOL24538305M
ISBN 109780754669951, 9781409419655
LC Control Number2010019048

Add to Book Bag Remove from Book Bag. Saved in: Approaches to teaching Gothic fiction: the British and American traditions / The transatlantic gothic novel and the law, / by: Marshall, Bridget M. Published: () Gothic Gothic horror: a reader's guide from Poe to King and beyond / . Jul 27,  · Abstract. Surveying a variety of legal treatises, laws, judicial decisions, and anti-slavery narratives, Weinauer shows how the law emerges in such texts as a gothic villain, exerting a seemingly absolute and inescapable control over the lives of the driftwood-dallas.com: Ellen Weinauer.

Oct 30,  · She is the author of “The Transatlantic Gothic Novel and the Law, – ” Her research and teaching focus on the Gothic, nineteenth-century American literature, witchcraft trials, disability in literature, and law and literature. Add to Book Bag Remove from Book Bag. Saved in: The Gothic world of Anne Rice / Bibliographic Details; The transatlantic gothic novel and the law, / by: () Gothic horror: a reader's guide from Poe to King and beyond / Published: ().

Jun 01,  · Kenneth M. Smookler, Farr& Beyond: Lawyers for the Otherworldly (Toronto: Wall & Emerson, ), p , ISBN The shelf of books devoted to legal humour is a capacious one, and the titles range across a variety of forms. Where the Evidence Leads: Gothic Narratives and Legal Technologies. The transatlantic Gothic novel and the law, – The transatlantic Gothic novel and the law,


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The transatlantic gothic novel and the law, 1790-1860 by Bridget M. Marshall Download PDF EPUB FB2

Feb 17,  · The Transatlantic Gothic Novel and the Law, – book. DOI link for The Transatlantic Gothic Novel and the Law, – The Transatlantic Gothic Novel and the Law, – book. By Bridget M. Marshall. Edition 1st Edition. First Published eBook Published 17 February Pub.

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Tracing the use of legal themes in the gothic novel, Bridget M. Marshall shows these devices reflect an outpouring of anxiety about the nature of Cited by: 3. Tracing the use of legal themes in the gothic novel, Bridget M.

Marshall shows these devices reflect an outpouring of anxiety about the nature of justice. The Transatlantic Gothic Novel and the Law, – 1st Edition. By Bridget M. Marshall. Routledge. pages. Look Inside. For Instructors Request Inspection Copy. manipulate the. Get this from a library.

The transatlantic gothic novel and the law, [Bridget Marshall] -- Tracing the use of legal themes in the gothic novel, Bridget M. Marshall shows these devices reflect an outpouring of anxiety about the nature 1790-1860 book justice.

On both sides of the Atlantic, novelists. Feb 14,  · The Transatlantic Gothic Novel and the Law, – bridget m. marshall, The Transatlantic Gothic Novel and the Law, –, The Review of English Studies, Volume 63 it provides overshadows the formal justice of the courtroom’ (p.

51). This, indeed, is one of the theses of her book and of the corresponding strain of law-and Author: Martin A. Kayman. Tracing the use of legal themes in the gothic novel, Bridget M.

Marshall shows these The transatlantic gothic novel and the law reflect an outpouring of anxiety about the nature of justice. On both sides of the Atlantic, novelists like William Godwin, Mary Shelley, Charles Brockden Brown, and Hannah Crafts question the foundations of the Anglo-American justice system through their portrayals of criminal and judicial procedures.

Read "The Transatlantic Gothic Novel and the Law, –" by Bridget M. Marshall available from Rakuten Kobo. Tracing the use of legal themes in the gothic novel, Bridget M. Marshall shows these devices reflect an outpouring of an Brand: Taylor And Francis.

Get this from a library. The transatlantic gothic novel and the law, [Bridget M Marshall] -- Tracing the use of legal themes in the gothic novel, Bridget M.

Marshall shows novelists like William Godwin, Mary Shelley, Charles Brockden Brown, and Hannah Crafts questioning the foundations of. Transatlanticism is an aspect of the relationship of British and American culture explored by some writers in American literature and British driftwood-dallas.comgh the academic discipline of transatlantic studies is a critical framework originating the s, it has been argued that transatlanticism itself is in itself a very old phenomenon, and that transatlanticism shows the tension in.

Marshall, Bridget M. The Transatlantic Gothic Novel and the Law, – Ashgate. January Book Chapters. Marshall, Bridget M. “Suicide as Justice. The self-destroying Gothic villain in Pauline Hopkins’ Of One Blood.” Suicide and the Gothic. William Hughes and Andrew Smith. Narrative justice: The gothic and the law in Anglo -America, – Bridget M Marshall, University of Massachusetts Amherst.

Abstract. In nineteenth-century Britain and America, the form of the gothic novel, popularly known for its use of supernatural horror, elaborate framing narratives, and stereotypical villain-versus-maiden characters and plots, frequently wrestled with ethical Author: Bridget M Marshall.

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Free 2-day shipping. Buy The Transatlantic Gothic Novel and the Law, at driftwood-dallas.comnd: Bridget M Marshall. THE GOTHIC. My primary area of interest and research is in the Gothic. My book, The Transatlantic Gothic Novel and the Law, –was published by Ashgate (now Routledge) in You can view the table of contents, read the Introduction, and check out the index (oh, and also buy the book) at Routledge’s site here.

The Transatlantic Gothic Novel and the Law, – Ashgate. January Book Chapters. Marshall, Bridget M. “Suicide as Justice. The self-destroying Gothic villain in Pauline Hopkins’ Of One Blood.” Suicide and the Gothic.

William Hughes and Andrew Smith. Manchester: Manchester University Press, August 96 – Jan 16,  · Discover Book Depository's huge selection of Bridget M Marshall books online. Free delivery worldwide on over 20 million titles. The Transatlantic Gothic Novel and the Law, Bridget M.

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This site is like a library, Use search box in the widget to get ebook that you want. Monika Elbert is Professor of English and University Distinguished Scholar at Montclair State University and serves as editor of the Nathaniel Hawthorne Review.

Bridget M. Marshall is Associate Professor of English at the University of Massachusetts, Lowell and the author of The Transatlantic Gothic Novel and the Law, - Manufacturer: Routledge.

Monika Elbert is Professor of English and University Distinguished Scholar at Montclair State University and serves as editor of the Nathaniel Hawthorne Review. Bridget M.

Marshall is Associate Professor of English at the University of Massachusetts, Lowell and the author of The Transatlantic Gothic Novel and the Law, - Subject. Offering a variety of critical approaches to late eighteenth- and nineteenth-century Gothic literature, this collection provides a transnational view of the emergence and flowering of the Gothic.

The essays expand on now well-known approaches to the Gothic (such as those that concentrate exclusively on race, gender, or nation) by focusing on international issues: religious traditions, social.The Transatlantic Gothic Novel and the Law, by Bridget M.

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